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In Horm, design is expressed
through clean shapes, from which any superfluous ornament has
been wiped away thus reaching a smoothness not pursuing sensationalism
but rather shrinking away from it. Along an onward path that
relies on unswerving and on the harmony of the numerical elements,
lines and thickness keep on relating to each other. The range
of products and their combinations go through connections as
like the bookshelves "solaio" and the table "united",
which can completely co-ordinate with each other as well as
melting together. The same can be said for the ensemble formed
by Capriata and Sin. Although in the diversity of spaces and
of planning solutions, minimalism proves itself to be the leitmotiv
of the aesthetics where the inner and the external order have
a precise correspondence. The essentiality, passpartout of the
Horm design, opens the doors to the infinite possibilities granting
furniture the ductility which enables it to fit spaces changing
as time goes by. Thus furniture becomes a living thing, because
living means moving on. |
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