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In Horm, design is expressed through clean shapes, from which any superfluous ornament has been wiped away thus reaching a smoothness not pursuing sensationalism but rather shrinking away from it. Along an onward path that relies on unswerving and on the harmony of the numerical elements, lines and thickness keep on relating to each other. The range of products and their combinations go through connections as like the bookshelves "solaio" and the table "united", which can completely co-ordinate with each other as well as melting together. The same can be said for the ensemble formed by Capriata and Sin. Although in the diversity of spaces and of planning solutions, minimalism proves itself to be the leitmotiv of the aesthetics where the inner and the external order have a precise correspondence. The essentiality, passpartout of the Horm design, opens the doors to the infinite possibilities granting furniture the ductility which enables it to fit spaces changing as time goes by. Thus furniture becomes a living thing, because living means moving on. |
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