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Horm
and design |
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In Horm, design is expressed through clean
shapes, from which any superfluous ornament has been wiped away
thus reaching a smoothness not pursuing sensationalism but rather
shrinking away from it. Along an onward path that relies on
unswerving and on the harmony of the numerical elements, lines
and thickness keep on relating to each other.
The range of products and their combinations go through connections
as like the bookshelves "solaio" and the table "united",
which can completely co-ordinate with each other as well as
melting together.
The same can be said for the ensemble formed by Capriata and
Sin. Although in the diversity of spaces and of planning solutions,
minimalism proves itself to be the leitmotiv of the aesthetics
where the inner and the external order have a precise correspondence.
The essentiality, passpartout of the Horm design, opens the
doors to the infinite possibilities granting furniture the ductility
which enables it to fit spaces changing as time goes by. Thus
furniture becomes a living thing, because living means moving
on. |
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